NEW YORK — A new book by journalist Paul Sperry looks at the history of the word “house of,” and the story of how the term originated.

“House of Magic” by Paul S. Sperrie is a story of American culture and its relationship with magic.

Its author has spent a lifetime exploring how the word became a term of art for a specific genre of American magic, and it’s a book about how the magic community, with its history and legacy, has evolved over time.

The book tells the story from the earliest days of the “house” of magic to today.

Sperrie says the word has always had a special meaning for him.

I grew up in the ’50s and ’60s, and I used to say, “This is what happens when you talk about the ‘house of magic,'” he says.

My family is from New York City.

I grew up there, and my mom was a magician.

She was the best.

Her name was Mary Lou, and she was the owner of a place called the “House of Mystery.”

The word “magic” has been a part of the American psyche since the 1800s, Sperries tells The Huffington Post.

It’s part of what we call “Americana.”

“The word ‘magic’ has a very deep, emotional connection to me,” he said.

Magic is so powerful, and people think that if you just talk about magic, it will make everything go away, but it’s not so.

When I was a kid, I used “magic.”

Magic was something that was very special.

People used to think, ‘Oh, I know magic, I can do magic.’

I was like, ‘You can’t do magic if you don’t know it.’

And I’ve always been very interested in magic.

I think that people who have been around magic, they have this innate sense of it.

A lot of people who are into it and are not superstitious, they think, Oh, I don’t need to go to the temple, I need to just be able to see the stars.

But the truth is, that’s not true.

It’s very magical.

You have to be able see it.

It has a power, and you can’t really do it if you’re not seeing it.

“I used to go with my mother and my sister to the theater every Sunday night.

We would go into the theater and see the ‘houses of magic.’

And then we would go to a dance party, and we would watch the shows.

We were so excited about the houses of magic, that it was the only time we ever went to a theater.

So we would always go to theaters and go to parties.

I remember going to a house of magic and having a great time, and being in awe of it, and feeling so much joy, because it was this magical place.

And I remember my parents sitting in front of the screen, watching it.

My father was very excited about it, so he wanted to watch it.

And then I was sitting in the back of the theater watching it and feeling really bad because I felt like my mother was going to cry.

But I’m a person who has always loved magic, so I did it, too.

If I go to any house of “magic,” it’s always with my mom and my brothers and sisters.

I’ll go into a house and see them in the act, and that’s how I was taught to look at it.

You look at them in that kind of way, and if you look at a house in the middle of the night, you can still see them.

That’s what I’m really interested in, because magic is not only a place of magic.

It is also a place where you can actually see and feel and feel how real people live.

You can see the magic of people in real life.

You see people, you see how they eat, you look in their eyes.

That’s how they’re feeling.

So I’m trying to get people to go, ‘Hey, it’s like that.’

That’s what they’re really looking for.

And what I want to do is really give people a chance to look in that way.

You get to see it, you feel it, it feels real, and then you can see it again and again.

For me, that means you have to go into other houses, and just walk around with a different person and see how it feels.

And the more you do that, the more comfortable you will be in the whole world, and the more fun you’ll have, the happier you will get.

I want people to see magic for what it really is, not just for its magic.

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